Antonello Manacorda will give his debut in Salzburg on 31 Juli and 1 August 2021. The two Mozart matinees with the Mozarteumorchester Salzburg taking place at the Stiftung Mozarteum will feature soloists Kristian Bezuidenhout and Anna Prohaska.

In the month of November Antonello Manacorda will be conducting two concerts that can be seen and heard on radio and television: on Sunday Nov 11th Deutschlandfunk Kultur will be broadcasting his concert with the Rundfunk-Sinfonieorchester Berlin live from Berlin, and on Sunday Nov 29th the annual Adventskonzert from Dresden’s Frauenkirche can be watched on ZDF television with Aida Garifullina, Daniel Behle and Staatskapelle Dresden.

In the 2020/21 season, Antonello Manacorda will conduct no less than three productions at Munich’s Bavarian State Opera – the first of which, Mozart’s “Cosí fan tutte”, will be premiered on September 13th 2020 and is followed by “Die Zauberflöte” in December and January. The much awaited new production of Weber’s “Freischütz” by Dmitri Tcherniakov will be premiered on February 7th 2021.

Antonello Manacorda conducted the DSO Berlin’s last concert of the season 19/20 with a programm featuring Strauss, Schönberg and Mahler. The radio concert can be streamed via Deutschlandfunk Kultur.

Antonello Manacorda and the SWR Symphonieorchester recorded a programme including pieces by Sibelius, Schönberg and Mozart – the web concert is available on SWR Classic.

In the 2019/20 season Antonello Manacorda will make his debuts at the Metropolitan Opera New York (“Le nozze di Figaro”) and at the Opéra national de Paris (“Così fan tutte”). He has been re-invited to the Bavarian State Opera in Munich (“Alceste”) and to the Théâtre de la Monnaie in Brussels with a new production of the Mozart/Da-Ponte cycle.

Highlights of his symphonic calendar in the 2019/20 season include guest appearances with the Helsinki Philharmonic Orchestra, the Danish National Symphony Orchestra, the SWR Symphony Orchestra and the Orchestra dell’Accademia Nazionale di Santa Cecilia. With the Kammerakademie Potsdam Antonello Manacorda will continue a Mendelssohn cycle and presents the late Mozart symphonies at the Pierre Boulez Saal in Berlin.

Antonello Manacorda will be conducting the new production of Glucks “Alceste” at the Bavarian State Opera, directed by Sidi Larbi Cherkaoui. The title role will be sung by Dorothea Röschmann, Admète by Charles Castronovo. The premiere takes place on May 26th.

You can find more info on the website of the Bavarian State Opera.

Antonello Manacorda and the Kammerakademie Potsdam celebrate Brahms from March 28 to 31 with a weekend full of concerts.

You can find an overview on the orchestra’s website.


Richard Eyre’s stunning production of Verdi’s “La Traviata” returns with star sopranos Ermonela Jaho and Angel Blue as Violetta; the casts also include Plácido Domingo and Charles Castronovo. Conducted by Antonello Manacorda, the premiere at the Royal Opera House Covent Garden will take place on January 14th.

For further information please click here.

Antonello Manacorda will give his debut with the Rundfunk-Sinfonieorchester Berlin at the Konzerthaus Berlin on November 30th with a programme featuring symphonies by Beethoven and Schubert.

Please click here for further information.

Eine große Deutschland-Tournee vom 30. Oktober bis zum 13. November
führt Antonello Manacorda mit der Kammerakademie Potsdam und der Klarinettistin Sabine Meyer unter anderem in die Elbphilharmonie, die Tonhalle Düsseldorf und die Berliner Philharmonie.

Auf dem Programm stehen neben dem Klarinettenkonzert von Carl Maria von Weber und Mendelssohns Konzertstück für Klarinette und Bassetthorn auch die “Schottische” Symphonie.

Weitere Informationen hier.

The 18/19 season starts with the premiere of Mozart’s “Die Zauberflöte” on September 4th, directed by Simon McBurney.

Kathryn Lewek and Thomas Oliemans can be heard as Queen of the Night and Papageno.

For further information on this new production please click here.

Am 15.04. hat die Neuproduktion von Benjamin Brittens “A Midsummer Night’s Dream” am Theater an der Wien unter der Leitung von Antonello Manacorda Premiere.

Regie führt Damiano Michieletto, in der Rolle des Oberon ist Bejun Mehta zu hören.

Für weitere Informationen klicken Sie bitte hier.

Antonello Manacorda will be conducting Giacomo Meyerbeer’s “L’Africaine – Vasco da Gama” at Oper Frankfurt. The Premiere takes place on February 25th, 2018.

Meyerbeer and his librettist Eugène Scribe busied themselves with the story of L’Africaine for almost 30 years but it was never finished. It was first performed in 1864, a year after Meyerbeer’s death, in an edition by François-Joseph Fétis and was performed all over the world. It was not until 2013 that Theater Chemnitz used Meyerbeer’s original manuscript as the basis for a rediscovery – under the title of Vasco de Gama. The first ever performances of the work in Frankfurt, directed by Tobias Kratzer using this reconstructed original edition, are under the original title of »L’Africaine«.

For further information please click here.

Antonello Manacorda gibt am 19.11.2017 sein Debüt beim Deutschen Symphonie-Orchester Berlin. Tragischerweise ist der hochverdiente Dirigent Jiří Bĕlohlávek am 31. Mai 2017 im Alter von 71 Jahren verstorben, für ihn übernimmt Manacorda die Leitung des Konzerts. Das Programm – Werke von Robert Schumann – bleibt unverändert. Solist des Abends ist Piotr Anderszewski.

Bei Sony Classical erschien 2016 die erste CD des Mendelssohn-Zyklus‘ mit den Sinfonien Nr. 1 und Nr. 4 (»Italienische«), am 02.06.2017 erscheint der zweite Teil mit den Sinfonien Nr. 3 (“Schottische”) und 5 (“Reformation”).

Seit 2010 ist Antonello Manacorda Chefdirigent der Kammerakademie Potsdam, die in der Saison 2016/2017 ihr 15-jähriges Bestehen feierte. Heute gehört das Orchester der Landeshauptstadt Potsdam zu den besten Kammerorchestern Deutschlands. Davon zeugt unter anderem die Auszeichnung mit dem ECHO Klassik als »Orchester des Jahres 2015« für die Aufnahme der Sinfonien Nr. 2 & 4 von Franz Schubert. Neben ihrem Anspruch auf höchste künstlerische Qualität steht die KAP für ein überaus lebendiges Musizieren und begeistert das Publikum durch musikalische Vielseitigkeit und historisch informierte Interpretationen.